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For once, Clive Davis seemed to be in step with what IвЂ™d have done if I were running the label, make Linda Lewis a star in The US. Unfortunately, I was right.Д«y 1975, sheвЂ™d left Raft and Reprise for Arista. I was well pleased to get a US promo later that fall, but had no hopes IвЂ™d ever hear it on American radio, despite Reprise releasing it twice. She looked super hot on TOP OF THE POPS, like an English Kim Weston or Tammi Terrell, but with a voice much closer to Minnie Riperton.

Or maybe just because it sounded so good over the air, like in my case, coming out of a 4вЂі x 6вЂі green transistor radio (that eraвЂ™s version of a hand held device), permanently borrowed off my cousin. If you were there youвЂ™d know, it was played relentlessly for weeks and weeks, almost like Radio 1 wanted to make it sell. Linda Lewis had a mid-chart UK hit with вЂRock A Doodle DooвЂ™ during the summer of вЂ™73 (#15). Posted in Barbara Lewis, Betty Everett, Bill Withers, Dennis Coffey, Jackie Wilson, Sandi Sheldon, Sussex, The Presidents, Van McCoy | Comments Off Tags: Barbara Lewis, Betty Everett, Bill Withers, Dennis Coffey, Jackie Wilson, Sandi Sheldon, Sussex, The Presidents, Van McCoy But truth be told, the fellow wrote some perfect songs: вЂBaby IвЂ™m YoursвЂ™ for Barbara Lewis, вЂGetting Mighty CrowdedвЂ™ by Betty Everett, вЂYouвЂ™re Gonna Make Me Love YouвЂ™, the Northern Soul holy grail recorded by Sandi Sheldon and вЂI Get the Sweetest FeelingвЂ™ for Jackie Wilson. Within a few years though, producer Van McCoy got tarnished with the disco curse, simply for having too big of a hit, вЂThe HustleвЂ™.

For me, just knowing a Sussex single was spinning on some 16вЂі industrial Gates radio station turntable made it sound that much better. Logically both the Top 40вЂІs and the RnB locals were playing it, but so too were the college stations. Seemed like no time passed before the record was literally all over the air. Turns out itвЂ™s a one listen song, simple. Given IвЂ™d previously owned only Dennis Coffey and Bill Withers records on Sussex, I assumed the best when this came along. From fresh releases to exclusive interviews, we've got it covered.Listen: 5-10-15-20 (25-30 Years Of Love) / The Presidents Ultimately, if Steampunk had an upmarket soundtrack, this would be it.Д¬atch their latest track вЂњ MidnightвЂќ below, alongside a host of European tour dates. It was the intro to Black Betty that reall y sent the crowd into a frenzy, a height the remainder of the set couldnвЂ™t quite reach.Д¬aravan Palace have nailed a quirky, left-field sound with the ability to bridge both genres and age gaps вЂ“ an experience that is best served live. Despite the nature of their sound making transitions more or less seamless, there were lulls during less prominent tracks like вЂњAftermarthвЂќ + вЂњ TattoosвЂќ (although nothing resembling a dull moment). Latest single вЂњ MidnightвЂќ was always set to be a crowd pleaser, a surefire way of taking the crowdвЂ™s exuberance levels up a notch. 60-something swing fans could be seen shimmying next to 20-something electro enthusiasts вЂ“ talk about musicвЂ™s unifying abilities.ДЇrom trumpets, violins and saxophones to a vibraphone, endless amounts of electronics and a double bass вЂ“ if there was prize for the number of weird and wonderful instruments you could fit on the AcademyвЂ™s stage, Caravan Palace would be outright winners. Launching into their 2015 track Comics, the seven-piece opened to a packed venue, crammed to the rafters with one of the most diverse crowds weвЂ™ve seen in a long time.

CARAVAN PALACE BLACK BETTY DATE HOW TO

Oozing Parisian charm, this is one French electro-swing band that know how to put on a show. So when the opportunity arose to catch Caravan Palace at LondonвЂ™s Brixton Academy, our schedule automatically became clear. WeвЂ™re always on the hunt for music thatвЂ™s a little out of the ordinary.Д«e it ridiculous stage shows, weird vocoder solos or downright hilarious lyrics вЂ“ if itвЂ™s unique, weвЂ™re all ears.

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